Episode 6
1-54 Forum New York 2017 | Madness of the Present: Abstraction’s Radical Possibilities
1-54 Forum New York
5–7 May 2017
Madness of the Present: Abstraction’s Radical Possibilities
Focusing on Adam Pendleton’s art of the past two years, from his installation for the Belgian Pavilion at the 2015 Venice Biennale to his recent suite of paintings entitled Untitled (A Victim of American Democracy), Pendleton and curator explore abstraction as a platform for revolutionary possibilities in art and politics.
Image: © Katrina Sorrentino
www.1-54.com